(Hector) George Wallace tells the story of his immigration from Jamaica to England to Coney Island, where he has been an itinerant sign painter for the past four decades. Wallace's painting style is ubiquitous, and can be seen on the facades of Ruby's, Paul's Daughter, and Pete's Clam Bar. Although Wallace has formal art training, his signs are Coney Island primitive and have become collectibles. His style of art work is rapidly disappearing and being replaced by plastic corporate signage.
This program is part of the Cultural Immigrant Initiative supported, in part, by the New York City Department of Cultural Affairs in partnership with the City Council, and New York City Councilman Mark Treyger.