Join us on Saturday, June 3rd, during exhibition center hours to celebrate the publication of Salvation by the Sea: Immigrants, Coney Island, and The Fresh Air Cure by Charles Denson.

"This catalog explores a forgotten era of Coney Island's history by examining the role that the beachfront played in saving lives and providing a livelihood for the waves of immigrants who came to America between the 1870s and the 1920s," writes Charles Denson in the book, which is based on a 2019 exhibition at the Coney Island History Project.

During the late 1800s and early 1900s, four charities built sprawling seaside facilities at Coney Island supported by donations from the wealthiest of "Gilded Age" New Yorkers. The beachfront "homes" and hospitals provided immigrant mothers and their sick children with a respite from teeming, disease-filled tenements. The amusements and charities were able to coexist for nearly half a century. After the Boardwalk was built in 1923, the era of Seaside Homes came to an end.

On June 3rd, the Coney Island History Project exhibition center is open from 1:00 PM - 7:00 PM. Admission is free of charge. We're located at 3059 West 12th Street at the entrance to Deno's Wonder Wheel Park, just a few steps off the Boardwalk.

The Coney Island History Project will open the 2023 season of our exhibition center on Memorial Day Weekend with an exhibit about the one hundred-year-old Riegelmann Boardwalk curated by Charles Denson. 

The Riegelmann Boardwalk: Past, Present, and Future is a fascinating exhibit that tells the story of how the Coney Island Boardwalk came into being, how it was constructed, and how it changed Coney Island forever by opening the shoreline to the public. Historic photographs and maps will illustrate the innovative construction techniques that were used for the first time to create Coney Island’s new  “Main Street” in 1923. A century of memorable photographs will be on display!

“As the Boardwalk celebrates its hundredth birthday its future is hard to predict," says Charles Denson, director of the Coney Island History Project and author of Coney Island: Lost and Found. "Will it remain a boardwalk, or will it become the world’s longest, widest sidewalk?" The exhibit describes the challenges facing this century-old New York City landmark as the City debates whether the deteriorating Boardwalk should be resurfaced with concrete, plastic, or wood.

The Riegelmann Boardwalk: Past, Present, and Future will be on view from May 27 through September 4, on Saturdays, Sundays and holidays, from 1:00 PM- 7:00 PM. Admission is free of charge. The Coney Island History Project exhibition center is located at 3059 West 12th Street at the entrance to Deno's Wonder Wheel Park, just a few steps off the Boardwalk. For additional information, e-mail events@coneyislandhistory.org. 

This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Nearly 450 oral histories are available for listening in the Coney Island History Project’s multilingual online archive. Among the additions in March and April are the following interviews recorded for us by Mary Conlon, Daniel Gomez, Julia Kanin, and Tricia Vita.

Erum Hanif talks about her work as a Community Board #13 Member and CEO of Apna Brooklyn Community Center, a not-for-profit that serves immigrants in Southern Brooklyn. She pays tribute to her mother, who was a pioneer in expanding education for girls and women in Pakistan. "I strongly believe that whatever I am today capable of doing in my life, personal and professional, is because of her spirit," says Hanif.

Sofya Lobova was born in Kyiv in 1935 and immigrated to the U.S. in 1995. Lobova recalls her memories of World War II and her community activism in Coney Island, where she is a longtime resident of NYCHA's Haber Houses. This interview was conducted and recorded in Russian and includes transcripts in Russian and English.

Sam Person shares family memories of Nat Faber's Fascination arcade, which operated on Surf Avenue from 1926 through the 1970s. Person worked in Coney Island as a manager at his father-in-law's Faber’s Fascination in 1953 and 1954 when he was in college. Fascination is a group game often described as combining the luck of bingo with the skill of Skee-Ball.

Sonia Solano reflects on raising a family in Coney Island and working in local schools in the 1990s and 2000s. She also describes the aftermath of Hurricane Sandy. "Coney Island means everything to me," says Solano. "I've been here thirty years."

Liz Unger shares memories of 1950's Coney Island and working in Lillian Candy Company, her family's candy factory on Mermaid Avenue. "I have a very, very soft spot in my heart for Coney Island, cause all my memories are there."

Stuart Waldman remembers summer jobs as a teen in Coney Island in the 1950s, including operating rides at Ward's Kiddie Park and working "The Dancing Dolls" game on Surf Avenue. At 19, he says he got his hack license and "aged out" of working in Coney Island.

Karen Wilcox recalls living in Luna Park Houses and going to Coney Island bathhouses with her grandmother in the 1960s. In 1962, Wilcox and her family were among the original tenants of Luna Park Houses, the apartment complex built on the site of the original Luna Park.

Please listen, share, and if you or someone you know would like to record a story remotely via phone or Zoom, sign up here. We record interviews in English, Russian, Chinese, and other languages with people who have lived or worked in Coney Island and adjacent neighborhoods or have a special connection to these places.

Topsy chained and roped for execution at Luna Park, 1903. A large banner proclaiming Luna Park as the "Heart of Coney Island" hangs in the background at upper right.

Luna Park began its convoluted history in 1903 with what is probably the most brutal and horrific event in Coney Island’s history. It was 120 years ago that Luna’s owners sought to publicize the park’s  grand opening by publicly murdering Topsy the elephant, a sad and abused creature who at the time was being used by the park to haul construction materials down Surf Avenue.

Topsy endured a tortured history that began when she was captured in Southeast Asia when only a year old and smuggled into the U.S. and forced to perform in circuses. Sadly, she eventually wound up in the hands of Luna Park’s founders. 

Like many performing animals, she’d suffered a lifetime of abuse from the public and from a series of cruel trainers. She’d recently gained notoriety for killing a drunk who’d fed her a lit cigar. The press dubbed her a "killer," but she was actually a gentle creature who was only reacting to incidents of mistreatment.

Luna’s owners soon considered Topsy a problem and no longer found her useful to them. They came up with a sadistic publicity stunt to get rid of her while at the same time advertising the May 1903 opening of the new Luna Park. They decided that charging admission to the gory public execution of an elephant would get them the attention the park needed.

According to Smithsonian Magazine, the original plan was to strangle Topsy by hanging, but the ASPCA objected, describing that method as “unnecessarily cruel.” Luna’s executioners decided to use electrocution instead. The killing of a tortured animal would be Luna Park’s first attraction.

On a cold January morning, the unsuspecting elephant was led into the park, which was still under construction, and bound with chains and ropes below the framework of the park’s grand tower. Topsy was then fitted with copper shoes, wired up to electric cables, and fed 460 grams of cyanide-laced carrots to prepare her for her fate.

A crowd of photographers and onlookers invited by Luna Park’s owners was soon surrounded by hundreds of spectators who climbed fences or paid to stand on rooftops to get a glimpse of the horrifying spectacle. A film crew sent by Thomas Edison recorded the execution.

At 2:45 a switch was thrown and 6,000 volts of electricity coursed through Topsy's body, toppling her over and killing her. Her Luna Park nightmare had finally ended.

Luna Park opened a few months later to huge fanfare. Ironically promoting itself as the “Electric Eden,” the park had a million light bulbs strung over a small city of fantasy architecture composed of towers, minarets, spires, castles, domes, and globes. What began as a fascination with electricity soon wore off though, and the park lost its luster. By 1911, the park’s owners, Thompson and Dundy, were consumed by personal and financial problems. Alcoholism, fraud, and gambling debts forced Luna Park into bankruptcy that same year. 

New owners expanded the park and brought in some new rides. Luna never really recovered and floundered during the Great Depression. The park then burned down in a series of dramatic fires during the 1940s. Luna Park faded into history, the name used for a housing project built on the site. 

A few years ago a new amusement park in Coney Island resurrected the Luna name. This seemed fine until 2023 when the new park's owners began a publicity campaign implying that they have been in business for 120 years and suggesting that they are the original Luna Park. The media picked it up and ran with it. "Luna Park Celebrates Its 120th year in Coney Island," was a headline trumpeted by Fox News and other media. 

When you appropriate history, you are claiming ownership of that history. It becomes your tarnished past. The new Luna Park has now embraced a tarnished, cruel legacy that brought shame to Coney Island. Appropriating the name means appropriating the shame. There's a terrible tradition of animal abuse attached to the Luna Park name that goes beyond Topsy. Performing elephants, horses, and camels were also mistreated during the park's early years. It's nothing to be proud of. Perhaps it's time for Luna Park to create a Topsy memorial and acknowledge a barbaric event that took place 120 years ago in Luna Park's name. Topsy should not be forgotten.

Topsy's body after execution at Luna Park 120 years ago.